Ces garçons qui aiment le rose et les licornes : ce que nous dit l'Histoire de l'Art

Boys Who Love Pink and Unicorns: What Art History Tells Us

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Children's colors and preferences are often influenced by deep-rooted gender stereotypes. However, a look at history reveals that these associations have not always existed.

In this article, we explore the history of gendered colors, how modern perceptions have evolved, and why it's essential to allow every child to express themselves freely.

We will also see how my children's pendants, designed to be unisex, are appreciated by many little boys.

Historical Artistic Representations of Children

There was a time when children's clothes were undifferentiated between girls and boys.

Artistic representations of the time often show children dressed the same way, regardless of their gender. In addition, colors were associated differently: pink and red, considered strong colors, were intended for boys, while blue, more
soft and associated with the Virgin Mary, was reserved for girls. Since the 15th century, when the Virgin Mary took on great importance in the small Pantheon of the Clergy, there are few paintings that represent the Virgin Mary without her loose blue garment.

These historical conventions show us that while our society has not ceased to depend on the yoke of gender norms, these are constantly evolving.

And besides, before the 18th century, boys and girls did not have specific clothing, we went from the layette to a unisex dress at the age of walking, a sort of long shirt reminiscent of medieval long clothing, until the so-called potty training age, therefore around 4 years old.

Anonymous

PORTRAIT OF A YOUNG FALCONER, 1639

This portrait depicts Mattheus Gilliszoon de Berch, a young boy from the 17th century Dutch bourgeoisie, in hunting clothes, a sign of his privileged ancestry.

Portrait de François de Boisschot à l'âge de 2 ans et 7 mois, 1630-32

Cornelis de Vos

PORTRAIT OF FRANÇOIS DE BOISSCHOT AT THE AGE OF 2 YEARS AND 7 MONTHS

A contemporary of Jordaens and Rubens, Cornelis de Vos is said to have worked with them; he was a painter of portraits and groups.

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